Familiar Vows Read online

  “Talk to me,” Lucas said. “I have to hear your voice so I know where you are.”

  “What would you like me to say?” she asked, a bit of acid in her tone.

  “How about ‘Thanks, Lucas. You’ve just spent a day of your life trying to keep me safe and I really appreciate it.’ That would be nice for starters.”

  “Dream on.” But she did thank him, even if she couldn’t bring herself to verbally express it. “Look, I feel bad…I didn’t want to involve you.”

  “And what is it that you think I want to do?”

  Irritation made his voice rough, and she responded with a hint of heat. “If those men are as dangerous as you say, then I didn’t want to put you…I wanted to fix this myself.”

  “Lady, you may be a great photographer, but as a strategist against mobsters and murderers, you need some training.”

  She jerked her blouse over her head. And just in time. He turned around as she pulled her hair free from her collar. His normally blue eyes were a gunmetal gray, and the intensity of his look made her catch her breath. He was furious with her, but it didn’t stop the heart-stopping jolt that ran through her body. Dealing with Lucas West was like grabbing a tornado and trying to hang on.

  Dear Harlequin Intrigue Reader,

  In honor of two very special events, the Harlequin Intrigue editorial team has planned exceptional promotions to celebrate throughout 2009. To kick off the year, we’re celebrating Harlequin Books’ 60th Diamond Anniversary with DIAMONDS AND DADDIES, an exciting four-book miniseries featuring protective dads and their extraordinary proposals to four very lucky women. Rita Herron launches the series with Platinum Cowboy next month.

  Later in the year Harlequin Intrigue celebrates its own 25th anniversary. To mark the event we’ve asked reader favorites to return with their most popular series.

  Debra Webb has created a new COLBY AGENCY trilogy. This time out, Victoria Colby-Camp will need to enlist the help of her entire staff of agents for her own family crisis.

  You can return to 43 LIGHT STREET with Rebecca York and join Caroline Burnes on another crime-solving mission with Familiar the Black Cat Detective.

  Next stop: WHITEHORSE, MONTANA with B.J. Daniels for more Big Sky mysteries with a new family. Meet the Corbetts—Shane, Jud, Dalton, Lantry and Russell.

  Because we know our readers love following trace evidence, we’ve created the new continuity KENNER COUNTY CRIME UNIT. Whether collecting evidence or tracking down leads, lawmen and investigators have more than their jobs on the line, because the real mystery is one of the heart. Pick up Secrets in Four Corners by Debra Webb this month, and don’t miss any one of the terrific stories to follow in this series.

  And that’s just a small selection of what we have planned to thank our readers.

  We’d love to hear from you, and hope you enjoy all of our special promotions this year.

  Happy reading, and happy anniversary, Harlequin Books!

  Sincerely,

  Denise Zaza

  Senior Editor

  Harlequin Intrigue

  CAROLINE BURNES

  FAMILIAR VOWS

  TORONTO • NEW YORK • LONDON

  AMSTERDAM • PARIS • SYDNEY • HAMBURG

  STOCKHOLM • ATHENS • TOKYO • MILAN • MADRID

  PRAGUE • WARSAW • BUDAPEST • AUCKLAND

  For Kim Robertson, cat lover and Familiar fan

  ABOUT THE AUTHOR

  Caroline Burnes has published more than forty Harlequin Intrigue books, many of them featuring Familiar, the Black Cat Detective. She first published with the Intrigue line in 1988 with a book called A Deadly Breed. Since that time, many of her stories have featured animals: horses, cats, dogs and even a few wolves and cougars thrown in for good measure. She lives on a farm in South Alabama with seven horses, eight cats and six dogs, most of them rescue animals. She urges everyone to please spay and neuter their companion pets to help reduce the number of unwanted animals.

  Books by Caroline Burnes

  HARLEQUIN INTRIGUE

  502—FAMILIAR VALENTINE*

  525—AFTER DARK

  “Familiar Stranger”*

  542—FAMILIAR CHRISTMAS*

  554—TEXAS MIDNIGHT

  570—FAMILIAR OBSESSION*

  614—FAMILIAR LULLABY*

  635—MIDNIGHT BURNING

  669—FAMILIAR MIRAGE*

  673—FAMILIAR OASIS*

  712—RIDER IN THE MIST†

  715—BABE IN THE WOODS†

  729—FAMILIAR DOUBLE*

  905—FAMILIAR ESCAPE*

  1107—FAMILIAR VOWS*

  CAST OF CHARACTERS

  Michelle Sieck—She has a talent for taking extraordinary photographs—and for getting into trouble. When she snaps a wedding without permission, she sets in motion events that threaten innocent people, herself included.

  Lucas West—A man scarred by the murder of his brother, Lucas wants justice. And he wants to protect the chief witness who testified against his brother’s killer. Michelle is a thorn in his flesh and a fire in his heart.

  Familiar—Smart, savvy and always ready for a good case, Familiar finds himself in the backwoods of Alabama in his efforts to protect headstrong Michelle—and to help find the missing witness, Lorry.

  Lorry Kennedy (aka Anna Sewell)—Lorry was at the wrong place at the wrong time. She witnessed a brutal hit on an undercover cop, and she was brave enough to testify. But as Antonio Maxim’s case comes up for appeal, Lorry is a prime target.

  Antonio Maxim—Antonio heads a crime organization that spreads from Texas to New York City and involves luring innocent young girls into “modeling” jobs which turn out to be forced prostitution and drug running. He’s in jail—but can Lucas and Michelle keep him there?

  Robert Maxim—Antonio’s brother, Robert is moving up in the ranks of the criminal world. He has one chance to free his brother, and that involves killing Lorry Kennedy or anyone who gets in his way.

  Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter One

  Ah, back in the South, where food is an art form and no humanoid would ever dare mention that I’m back at the hors d’oeuvres table for the fourth time. Love those salmon puffs in dill sauce! The yellowfin-tuna croquettes are superb. Let the bipeds waste their caloric allowance on champagne; I’m indulging in sustenance that will make my coat sleek and shiny and my eyes bright. Brain food, yum!

  Everyone is taking their seats. The harpist has started. I do believe it’s showtime. And I’ve got to scurry to get to my seat beside my beloved owner, Eleanor.

  I have to say, the bride is beautiful. The entire theme of a Civil War wedding, while admittedly strange to a feline, is beautiful. Charles looks handsome in his uniform, with the sword at his side and the gold sash, and Lorry is magnificent in a hand-stitched gown crusted with seed pearls. Maybe it’s just pretend, but the bridal party’s attire gives the wedding a solemnity that makes me believe Charles and Lorry will truly find happiness together. From what Eleanor tells me, Lorry deserves a break. Her life hasn’t been easy.

  Ah, the bridesmaids have assumed their places, and all eyes turn to watch Lorry
float down the aisle like a dream.

  Uh-oh. It looks like the tall, lean best man has seen something he doesn’t particularly care for. It almost looks as if he’s going to bolt from his place, but no, he can’t, or the ceremony will be ruined.

  But what does Lucas West see? All afternoon he stalked the wedding, as if he expected Jack the Ripper to show up, and now he’s craning his neck to watch…a woman with a camera? She’s probably been paid to assist the guy who’s photographing the wedding. Why should that unsettle Lucas so much? Two photogs instead of one—not cause for alarm as far as I can tell.

  I have to say, though, the woman shutterbug should be in front of the camera, not behind it. She’s simply beautiful, and she has no clue. She’s all about getting her shot. And the money shot is the bride.

  Lorry, with her honey-gold hair and inner beauty, is glowing with happiness. Miss Shutterbug is following her with studied diligence. Camera Girl is intense, that’s for sure. She’s going to get her picture, and the world be damned. She even stepped in front of the other photographer, which didn’t go over well with him or with Lucas.

  Now Lucas and Eleanor are both acting strange. I’m sure there’s a story behind this, and I’ll find out as soon as the vows are said.

  THE LIGHTING in the old clapboard church was incredible. Michelle moved around the chapel, her cameras whirring as she recorded the wedding digitally and also on film. Of the four weddings she’d photographed so far on this assignment for Bride Magazine, this one was the best—at least photographically speaking. The magazine had offered florists across the nation a free ad for alerting the magazine to the most unusual wedding, and Michelle made a mental note to send Bloomers Unlimited a thank-you note. This wedding was fantastic.

  She had no clue if the bride and groom loved each other or had a chance at “happily ever after.” The truth was, she didn’t care. What mattered was capturing the image—that perfect blend of light, composition and human emotion, where one picture told the entire story.

  As she moved along the west wall of the church, flanking the bride, Michelle noticed the best man giving her the evil eye. In fact, he looked as if he was going to step out of his role as Confederate attendant to the groom and confront her. Had she not been so focused on her work, she might have found that idea a tiny bit thrilling. He was the antithesis of the men she knew in New York. He was rugged and self-contained, and for some reason, she thought of the old black-and-white reruns of Marshal Dillon on Gunsmoke. Too bad he was eyeing her like she was a horse thief he meant to hang.

  She tried to ignore him, but his steely gaze made her uncomfortable. Yes, she was an interloper at this wedding. What she offered this soon-to-be wife was something most brides would kill for—a featured photo essay in Bride Magazine.

  Michelle used only natural light, so the flash wasn’t an issue during the ceremony. Yet when she caught a glimpse beneath the bride’s veil, she saw a young woman clearly in despair. It made Michelle uneasy, but she continued to do her job. Heck, if Iggy Adams, her editor-in-chief, couldn’t talk the couple into signing a release to use the photos, they wouldn’t be used. No one wanted a lawsuit.

  When the groom lifted the veil, the purest light filtered in through a loft window, and Michelle snapped a photo that every photographer waits a lifetime to get. The groom bent to kiss the bride, and then it was over.

  Michelle sighed, wishing she actually knew this couple. But she’d never met them. As part of the deal she’d cut with Iggy, she had no responsibility to inform the bride and groom about the photographs. The whole idea of catching the bride and groom unaware—while it had yielded some of the best wedding photographs she’d ever seen—was still a bit strange. But that was Iggy’s problem. All she had to do was show up and get the pictures. Iggy would handle the sticky details.

  Speaking of moving on down the road, she had another wedding to shoot. It was time to book out.

  She picked up her camera bag and took long strides toward the exit, almost stumbling over a black cat, who stared up at her as if he had something to say.

  “Hey, kitty.” She bent to stroke his sleek fur, but his gaze never wavered. He watched her. Not critically, but with curiosity. Well, she’d always heard that curiosity killed the cat. Too bad she didn’t have a way to take this black beauty home with her to the Big Apple. He had the attitude and demeanor of the perfect roommate.

  When she walked outside, she was amused to see that the cat followed her. Maybe he didn’t have a home. She gave him a critical once-over. He was certainly well-fed and cared for. He had loving owners somewhere, but why was he attending a wedding?

  At the car, she popped out the digital memory card and stuffed it in her jacket pocket. She rewound the film in the other camera, put a sticky label on it and also put it in her jacket. As she reloaded her cameras and began to store them in the cargo bay of her car, the cat began to rub against her ankles and purr.

  “Excuse me, ma’am.”

  She turned to face the lean man who’d been in the wedding. His chiseled features were ruggedly handsome, and his assessing gaze made her feel as if her blouse was unbuttoned. “Yes?”

  “I’m afraid I can’t let you leave here with those photographs,” he said. His soft drawl belied the deadly sincerity in his eyes.

  Michelle pushed her long red hair back. “My boss will be in touch to get all the necessary release forms.”

  “Your boss?”

  “Iggy Adams, with Bride Magazine. We’re doing a feature article on brides in out-of-the-way places. Blakely State Park down here in Spanish Fort, Alabama, is pretty darn out of the way.”

  “I’d like the film and the digital memory cards, please.”

  The man was made of ice. He acted as if she’d held up a bank or something.

  “That’s not going to happen.” She started to slam the cargo-bay door when the cat jumped in. She reached in to remove the cat, and the man put his hand on the door, blocking her.

  “I’m sorry, ma’am, but you have to give me those photographs.”

  Whoever he was, he was trained to show no emotion. He acted as though he were asking for a piece of gum. “Those photographs are my property,” she said coolly. “Now, if you want a court case, try to take them.”

  “No, ma’am. We don’t want a court case at all. I just want those pictures. You had no right to take them.”

  “Look, I agree that the whole idea of photographing the wedding without notifying the bride and groom is a bit strange, but so far, every couple has been thrilled to be in Bride Magazine. The bride and groom will have total say over which photos are used.”

  “You don’t understand.” The man’s jaw tensed as he spoke. “Those photographs won’t be used at all.”

  She took a breath. “Iggy won’t use them if the couple refuses to sign a release. That’s between them and the magazine. But Iggy paid me to come here. I’ve spent at least a week of time, not to mention airfare and hotels. I’ve got to take something back to show for the expense.”

  She was out of breath when she finally stopped. He was looking at her with that steely-gray gaze that said so clearly that he didn’t give a damn what her story was, and he wanted what he wanted.

  “Ma’am, if it were any other wedding, I’m sure the participants would be delighted to be in a fancy New York City magazine. Not this wedding, I’m afraid. Ms. Lorry asked me to get that film, and that’s what I intend to do.”

  He reached for the camera bag, pulled it out and removed her digital camera.

  Before she could blink, he had the memory card in his hand. He went for the other camera. Michelle brought the door down on his arm, not hard enough to harm him, but with enough force that he knew she meant business.

  “Don’t touch my equipment.” She eased off the door to let him remove his arm.

  “You don’t understand what’s at stake,” he said.

  She could see that he was working hard at reasoning with her. What he didn’t understand was that she’d n
ever let anyone touch her equipment. Not ever. Not for any reason. Before she could answer, she noticed the black cat had hopped to the front seat. To her amazement, the cat opened the glove box and began to rifle through the contents. “Hey!” she yelled at the cat.

  The man took her moment of inattention to strip the film from her camera. He dropped the roll in his pocket and handed the camera back to her.

  “Sorry, ma’am,” he said.

  She was furious, but she still had her photographs. Whoever this Neanderthal was, he’d only gotten blank film. The best thing she could do was beat a hasty retreat before he tried to search her.

  She walked past him to the driver’s door. “Shoo, kitty!” She waved her hands at the cat until he hopped out a front window. She got behind the wheel.

  “Ms….” the man started.

  She gunned the motor and drove out of the church parking lot like Satan was on her heels.

  When she looked in the rearview mirror, he was standing there in his Confederate finery, the black cat sitting beside his polished black boots.

  LUCAS WEST WATCHED THE red Alabama dust rise from the tires of the photographer’s SUV, a rental from Atlanta. He memorized the tag number, but since he had the film, it was a moot issue. And it was thanks to the cat that he’d gotten the film. He looked down, but the feline had disappeared.

  He stood a moment longer, pondering the strange events. Whoever the photographer was, she’d come into the wedding like a Texas tornado. He felt the corners of his mouth begin to tug into a smile. Well, maybe that was an exaggeration. She’d been quiet and professional, but the first time he’d looked at her, she’d given him a jolt. She was a looker. No doubt about that. With her lacey white shirt, tailored black slacks and stiletto boots, she’d almost stolen his breath. Until he’d seen the camera.